
American Art Colonies, 1850–1930: A Historical Guide
American Art Colonies, 1850–1930 is a historical guide to artists and the communities where they worked. It surveys colonies from Carmel-Monterey to Gloucester-Rockport and Taos-Santa Fe, with an emphasis on how proximity among artists could shape their work.
At a glance
- Covers American art colonies from 1850 to 1930, including communities in California, Massachusetts, and New Mexico.
- Connects artists' working communities with the influence of proximity and shared artistic life.
- The description identifies scholars, students, and readers of American art history as its intended audience.
Reference price: $130.00
Price checked: Nov 14, 2026
View offerAhead of Black FridayExplore the selectionPros and cons
Pros
- Brings together profiles of artists and concise context about the colonies where they worked.
- Includes geographically varied examples, from Carmel-Monterey and Gloucester-Rockport to Taos and Santa Fe.
Technical specifications
9 specifications| Publisher | Greenwood |
|---|---|
| Publication date | December 9, 1996 |
| Edition | First Edition |
| Language | English |
| Print length | 186 pages |
| ISBN-10 | 0313296197 |
| ISBN-13 | 978-0274953738 |
| Weight listed | 1.05 pounds |
|---|---|
| Dimensions | 6.14 x 0.5 x 9.21 inches |
Who is it for?
A good fit for
- Readers researching American art history and artists active from 1850 to 1930.
- Students and scholars interested in art colonies and the influence of artistic communities.
Frequently asked questions
What period does this guide cover?
The title identifies the period as 1850–1930, and the description discusses the growth of American art colonies beginning in the mid-19th century.
Which art colonies are discussed?
Examples named in the description include Carmel-Monterey in California, Gloucester-Rockport in Massachusetts, and Taos and Santa Fe in New Mexico.
Who may find the book useful?
The listing describes it as useful for scholars, students, and others interested in American art history.
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