# Visualizing Feeling: Affect and the Feminine Avant-garde

Visualizing Feeling: Affect and the Feminine Avant-garde is an art-history study of how feeling shaped late-modern art and avant-garde practice. Susan Best examines work by Eva Hesse, Lygia Clark, Ana Mendieta and Theresa Hak Kyung Cha, with particular focus on affect as part of artistic innovation.

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- Language: en-US
- Currency: USD
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- Price: 26.60 USD
- Previous price: 35.95 USD
- Discount: 26%
- Price checked: 2026-11-14T05:50:05.181Z
- Rating: 5 / 5
- Reviews: 2

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## At a glance

- Considers affect and emotion as part of artistic production rather than treating late-modern art as necessarily affectless.
- Focuses on four influential women artists: Eva Hesse, Lygia Clark, Ana Mendieta and Theresa Hak Kyung Cha.
- Addresses methods for interpreting feeling in art history.

## Pros

- Offers a focused discussion of four artists and their role in reshaping avant-garde approaches.
- Connects art-historical analysis with questions about how viewers interpret feeling and emotion.

## Specifications

### Publication
- Publisher: I.B. Tauris
- Publication date: December 11, 2013
- Edition: Reprint
- Language: English
- Print length: 208 pages
- ISBN-10: 1780767099
- ISBN-13: 978-1780767093
### Dimensions and installation
- Weight listed: 9.9 ounces
- Dimensions: 6.14 x 0.43 x 9.21 inches

## A good fit for

- Readers studying late-modern and post-1960s art, feminist art history or affect theory.
- Students and readers interested in the four artists discussed.

## Less suited to

- Readers looking primarily for a visual catalogue or a broad survey of all late-modern art. The supplied description emphasizes analysis rather than catalogue coverage.

## Customer feedback

The listing shows only a small aggregate rating sample, with all recorded ratings in the five-star category. That is a limited signal and offers no detail about readers' reasons or how they found the book's analysis.

## Frequently asked questions

### Which artists does the book discuss?
The description identifies Eva Hesse, Lygia Clark, Ana Mendieta and Theresa Hak Kyung Cha.
### What is the book's central subject?
It examines how feeling and affect inform late-modern art and avant-garde innovation, and considers how art history can interpret those dimensions.
### What are the listed edition and length?
The listing identifies this as a reprint in English, with 208 pages.

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## Images

![Visualizing Feeling: Affect and the Feminine Avant-garde — 1](https://best-deals.pro/i/U9ZF7sB0xG_7B5Q4L34Fi9T774miAmbtSD8MMjVuN8IgEir10jG1EK_KTi7k4kHIM8m3l31R7tTn88KYyj9AVWnCtI9z_a3m_s_oGEzY_WgKe4O0Vg-7.jpg)
